The Independent, July 27, 1991, by Paul Taylor. "Polite Russians; Paul Taylor on Makarova in Tovarich at Chichester" ----------------------------------------------------------- The Russian Revolution gave a new twist to the servant problem. With the dispersal of the Tsarist aristocracy, who needed jobs when their jewels ran out, there was always the chance that you'd end up with a better class menial than you had quite bargained for. As the programme at Chichester indicates, emigre toffs became stable boys, chauffeurs, taxi drivers. The dustbins at Cannes, it seems, were at one time emptied by Tatler-reading Russian colonels. This idea - that there could be some romantically reduced Romanov lurking among the people who catered for your needs - had a strong fantasy appeal, a fact not overlooked by Hollywood. It probably also accounts for the earlier manifestations of Jacques Deval's "Tovarich" which began life in 1934 as a play, became a film with Claudette Colbert and a Broadway musical with Vivien Leigh, and now resurfaces on the stage at Chichester in a new translation starring the Russian ballerina, Natalia Makarova. Set in Paris, the comedy focuses on two destitute nobles, the Grand Duchess Tatiana (played by Makarova), niece to the late Tsar and her husband Prince Mikhail (Robert Powell in fine form), who was his aide de camp. To keep body and soul together, the Grand Duchess has taken to a little genteel shoplifting, but we know she's a decent sort because when she hears there's a hungry, breastfeeding mother in a neighbouring room, she doesn't flinch from sacrificing the champagne and caviar. Because Mikhail won't touch the four billion francs entrusted to him by the tsar, the pair are forced to take incognito employment as a butler and maid in the house of Arbeziat, a nouveau riche deputy minister. Patrick Garland's attractively acted production makes the most of the resulting jokes, which spring from fairly snobbish resources. The social superiority of servant to boss keeps popping out ("the maid's" idea of a big emerald is of course bigger than madame's) and the aristos effortlessly outclass the bourgeoise at poker, swordplay, coping with creditors etc, while behaving towards them with a grave, almost parodic deference. Though squeamish at first about some of their habits (such as the Russian "kiss of forgiveness"), minister and family are soon absolutely smitten by their charms. "They're priceless" Arbeziat tells the audience, as if we needed reminding. It's brainless but likeably played (especially by Rowland Davies and Sarah Badel as the Arbeziats) and Makarova compensates for her verbal stumblings with a magnetic, dignified stage presence. (In a beautifully absurd image at the end, she is seen in full diamond- dripping imperial dress about to put the milk bottles out). Deval makes a tactical error, however, in trying to introduce bits of harsh reality into this pile of romantic froth. The Arbeziats give a dinner party for the Bolshevik commissar for oil (Tony Britton) who needs (what else?) four billion francs to save the people of the Ukraine and the Urals. To secure this sum, he may have to sell off precious oil fields. The trouble is that he also happens to be the man who raped Tatiana and, in Lubianka, tortured Mikhail. They come face to face with their enemy in a scene where they have to serve him drinks. He contrives to insult them while the Arbeziats, who have just discovered the true rank of their employees, suffer convulsions of embarrassment in being waited on at all. But except by sudden maldroit jumps from the jokey to the grim and back again, the ghastly past of the Russian couple cannot be accommodated by the play, nor is it sufficiently believable that, even to save the country, they would hand over the tsar's money to their erstwhile oppressor. Tonally, "Tovarich" becomes uneasy, though not in a thought-provoking way. Quick references to eyes being gouged out and brains being thrown to the dogs seem as incongruous here as cyanide pellets in a Pavlova. Continues at Chichester (0243 781312). ----------------------------------------------------------- Bentley's Bedlam http://www.BetsyDa.com/bedlam.html This website is for information and entertainment purposes only and is not intended to infringe on copyrights held by others.